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One particular scene embodied this problem. Instead, we drifted from scene to scene focusing on characters discussing the complexities of life (from dying dad to recluse brother to frustrated wife to confused kids). The “keep the kids in private school” thing was forgotten.

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Once we’ve set up the goal (figure out how to keep the kids out of public school), we go through one tiny sequence of Aidan trying to home school his kids (which was silly – but at least he was pursuing the goal that was set up), and then that was it.

Yet that’s exactly how Wish I Was Here unfolds (or should I say “unravels”).

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What happens if, once we hit the second act, Indiana heads off to Iceland, buys a cottage, makes friends with the locals, and becomes a carrot farmer? You’d be confused, right? You’d say, “Wait, wasn’t he going to go after that Staff of Ra thing? Isn’t that what the beginning of the movie was about?” Look at a movie like Raiders of the Lost Ark. The second we stop understanding what your characters are going after and why, we lose interest. That’s what pushes your characters forward, giving them things to do and actions to achieve. You make sure your characters are going after something, and that that something is clear and has consequences.

Structure is the tool that creates narrative. And there was never a second act more faked through than “Wish I Was Here.” The professionals know how to write them. Second acts are where screenwriters make their money. Okay, I can get on board with that, even if the goal is a little “Rich People’s Problems.” But thennnnnnnn… the second act comes. Stakes = if he doesn’t figure it out, he might have to give up his dream. Urgency = the check to the school is due in a couple of weeks. Goal = find a way to keep his kids out of public school. For the first time ever, he must figure out a way to provide for his children, which means he must consider giving up his acting dream.

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But when his father gets cancer and must pay out of pocket, the checks to the school stop, and all of a sudden, Aiden’s free ride in life is over. His kids go to a prestigious private Jewish school courtesy of Aidan’s rich father. Aiden (Braff) a struggling actor with an 8 year old son and 11 year old daughter, has been married to his wife since college. The script starts off strong, with a traditional setup of goals, stakes, and urgency.

By no means was it obvious.” Which pretty much summarizes the movie itself, a clumsy story that wasn’t easy to get. The ‘I’ is a play off the phrase, implying he wishes he was currently present in his life.” I felt a little dumb for missing that, but upon further reflection I realized, “Wait a minute. Many hours after I saw the film, I casually wondered, “Why didn’t he just call it ‘Wish You Were Here’ as opposed to this strange variation on the phrase?” Then I realized, “Ohhhhhh. The Wish I Was Here experience can be summed up by its title. Everyone kept asking him, “When are you going to direct again?” Well, 10 years later and Braff’s second movie is finally here! Braff’s previous writer-director entry, Garden State, was a surprise hit at Sundance and went on to gross 10 times its budget. But Braff argued that doing it the Kickstarter way enabled him to make “no sacrifices.” Which means, of course, that for better or worse, this is exactly the film Braff wanted you to see. There was some initial backlash, as some noted that Braff would’ve been able to raise the money by traditional means anyway. Premise: When a struggling actor’s father is diagnosed with cancer, he must finally grow up and become the patriarch of his family.Ībout: This film received a lot of press when writer-director Zach Braff raised the funds for the film on Kickstarter.

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